Amanda Andlee Poland

Email: poland@section1.com.au
Born Melbourne 1958

Education

1995 Masters in Visual Art, University of South Australia
1979 Bachelor of Education (Secondary Fine Art), Adelaide College of the Arts and Education
1976-1979 Diploma of Teaching (Art), Adelaide College of the Arts and Education

Current Employment

Head of Art, Wilderness School, Adelaide

Solo Exhibitions

2006 Cups and Coupling 2, Midsumma Festival, City Library, Melbourne
2005 Cups and Coupling, Feast Festival, Premier Art Gallery, Rundle St, Adelaide
1995 ‘f’ installation, The New Museum of SA, Hindley St, Adelaide

Group Exhibitions (selected)

2006 Inhabit, Fringe exhibition, Section #1 Gallery, Thebarton, SA
2005 Here and There, Interleaves, Torrensville, SA
2005 Side by Side, Prospect Gallery, Prospect, SA
2004 Traces, Fringe exhibition, Section #1 Gallery, Thebarton, SA
2003 Revisited, SAVAEA members’ exhibition, Prospect Gallery, Prospect, SA
2002 InFLEXion, Fringe exhibition, Section #1 Gallery, Thebarton, SA
2000 Contain, Fringe exhibition, Section #1 Gallery, Thebarton, SA
1998 Regard(s), Fringe exhibition, Section #1 Gallery, Thebarton, SA
1996 Section #1, Fringe exhibition, Section #1 Gallery, Thebarton, SA
1996 South Australian School of Art Masters Exhibition, University of South Australia Art Museum, Adelaide
1989 9 x 5 exhibition, Wilderness School Gallery, Medindie, SA
1988 Members’ Show, Contemporary Art Centre, Parkside, SA
1988 Adelaide Festival Exhibition, Mezes, Rundle St, Adelaide
1985 DNA: Artists and Scientists Against Nuclear War, Adelaide Festival Centre
1982 Quantum Leaps, National Womens’ Art Show, Adelaide University Union Gallery
1982 SA Paperworks Exhibition, Maude Vizard-Wholohan Award, Art Gallery of South Australia
1981 Artists Against Uranium, Experimental Art Foundation, Adelaide
1981 Tea for Three, Roundspace Gallery, Roper St, Adelaide

Publications (selected)

Stephanie Radok, 2004 March, ‘Fringe By Day: West’, Adelaide Review, p26
John Neylon, 2002 March, ‘Loosely Associated’, Adelaide Review, p29
Wendy Walker, 2002 March, ‘Drill Hall, Driveway, Open Sandwich, Inflexion’, image, The Advertiser, p36
Joanne Harris, 1997, ‘Out of the Kitchen’, Artlink, Vol 17, No1, p75
Stephanie Radok, 1996 November, ‘Imitation of Life’, Adelaide Review, No 158, pp27-28
Alison Main, 1995, ‘An Installation: Bleak House Revisited?’, exhibition catalogue essay
Neville Weston, 1981 July, ‘Contrast is a Potent Technique’, The Advertiser

Collections

Prospect City Council Collection, Wilderness School Art Collection, private collections.